American Short Stories Part 2 Question Preview (ID: 40202)

a) The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare.

b) His children, too, were as ragged and wild as if they belonged to nobody.

c) It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held.

d) The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest

a) The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest

b) The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare.

c) It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held.

d) The disease of the lady Madeline had long baffled the skill of her physicians.

a) The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest

b) His children, too, were as ragged and wild as if they belonged to nobody.

c) This is a dull pace for the beginning of a journey. Take my staff, if you are so soon weary.

d) The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare.

a) The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest

b) This is a dull pace for the beginning of a journey. Take my staff, if you are so soon weary.

c) His children, too, were as ragged and wild as if they belonged to nobody.

d) The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare.

a) The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare.

b) His children, too, were as ragged and wild as if they belonged to nobody.

c) The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest

d) This is a dull pace for the beginning of a journey. Take my staff, if you are so soon weary.

a) The subject had reference to secret sin and those sad mysteries which we hide from our nearest and dearest

b) The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare.

c) This is a dull pace for the beginning of a journey. Take my staff, if you are so soon weary.

d) His children, too, were as ragged and wild as if they belonged to nobody.

a) in this mansion of gloom I now proposed to myself a soujourn of some weeks

b) But the Prince Prospero was happy and dauntless and sagacious

c) But what has Good Parson Hooper got upon his face?

d) The great error in -- was an insuperable aversion to all kinds of profitable labor

a) But the Prince Prospero was happy and dauntless and sagacious

b) But what has Good Parson Hooper got upon his face?

c) his mansion of gloom I now proposed to myself a soujourn of some weeks

d) Ichabod Crane had a soft and foolish heart towards the sex

a) in this mansion of gloom I now proposed to myself a soujourn of some weeks

b) But what has Good Parson Hooper got upon his face?

c) But the Prince Prospero was happy and dauntless and sagacious

d) of all nights of the year, this one night must I tarry from thee

a) But what has Good Parson Hooper got upon his face?

b) But the Prince Prospero was happy and dauntless and sagacious

c) in this mansion of gloom I now proposed to myself a soujourn of some weeks

d) of all nights of the year, this one night must I tarry from thee

a) Just because he's your friend, doesn't mean he's not insane

b) You gotta have fai ai aith

c) Everyone has sin

d) Everyone is mortal

a) But what has Good Parson Hooper got upon his face?

b) Ichabod Crane had a soft and foolish heart towards the sex

c) The great error in -- was an insuperable aversion to all kinds of profitable labor

d) of all nights of the year, this one night must I tarry from thee

a) But the Prince Prospero was happy and dauntless and sagacious

b) in this mansion of gloom I now proposed to myself a soujourn of some weeks

c) The great error in -- was an insuperable aversion to all kinds of profitable labor

d) of all nights of the year, this one night must I tarry from thee

a) Don't let fear empower you

b) You gotta have fai ai aith

c) Everyone is mortal.

d) Everyone has sin.

a) Everyone has sin

b) No one can escape death

c) Don't let the fear of losing keep you from playing the game

d) You gotta have fai ai aith

a) Everyone is mortal

b) No one escapes death, even when 'death' is dead

c) Keep with the times, or you might way up old and confused

d) Everyone is evil

a) Everyone is evil

b) You gotta have fai ai aith

c) Everyone is mortal

d) Don't let fear rule your life

a) Don't let fear keep you from what you want

b) Don't trust strangers with promises

c) Everyone is mortal

d) Everyone is evil

a) The Masque of the Red Death

b) The Fall of The House of Usher

c) Rip Van Winkle

d) Young Goodman Brown

a) The Masque of the Red Death

b) Young Goodman Brown

c) The Legend of Sleepy Hallow

d) The Minister's Black Veil