The planning and working out of the movements of actors on stage.
The ability of the actor/actress to be βinβ character - that is, to be like the character s/he is portraying β in dialog, attitude, carriage, gait, etc.
Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
An expressive movement of the body or limbs.
An incident art form in which conventionalized gestures are used to express ideas rather than represent actions
A long speech by a single character.
The tempo of an entire theatrical performance.
Acting without words through facial expression, gesture, and movement.
The highness or lowness of voice
The placement and delivery of volume, clarity, and distinctness of voice for communicating to an audience.
Items carried on stage by an actor; small items on the set used by the actors.
The characteristics of a voice, such as shrill, nasal, raspy, breathy, booming, and so forth.
The degree of loudness or intensity of a voice.
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